The story or book idea you can stick with, feel thrilled about, and that will make the biggest impact on others is likely some combination of the above: an issue/subject that seems vital to you that has reared its head in some (even small) past personal or witnessed experience, written in such a way that echoes the ...
Often, it's a matter of letting the crucial elements of the story slip out of focus here and there. Maybe the script is wrong, or the main point is vague. Or perhaps the story is inappropriate for a particular audience. Or the characters don't press the right emotional buttons.
The main culprit here is shoddy plotting; the story is boring because there are too many scenes that do not move the story forward. Instead, they bog it down with their pointlessness. Audiences and readers expect scenes that are arranged with as strict an adherence to the principle of cause and effect as possible.
The best story is a well-told tale about something the reader feels is relevant or significant. The best stories are more complete and more comprehensive. They contain more verified information from more sources with more viewpoints and expertise. They exhibit more enterprise, more reportorial effort.
How Long Should a Short Story Be? The average short story should run anywhere from 5,000 to 10,000 words, but they can be anything above 1,000 words.
They move through the text easily and at a good pace. They get absorbed in the story, connect it to their own lives, and look at reading as a source of pleasure. Strong readers approach academic reading assignments with the same sense of purpose, actively tracking ideas and making sure they learn important information.
A well-read person has cultivated their minds. They have learned to focus and go deeply with certain subjects but can also connect disparate ideas from different fields together. A well-read person makes for a more creative person. A well-read person can also speak and write better.
It's natural to like some books more than others, but if you get to the point of starting two, three or even more books and simply giving up on them after a couple of pages because you can't seem to enjoy them, it means you're probably entering or you are already in a reading slump.
Writing a good story takes time, effort, and revision; there's no such thing as a perfect first draft (no matter what anyone tells you). By following these ten tips, you'll be well on your way to writing a great story that will engage and entertain readers from beginning to end!
The three main things that make a good story are the hook, characters, and the voice. Hook – start your story in a way that will hook your readers and keep them interested. Characters – make sure they are interesting and that (although most probably flawed) your readers will root for them until the end.
There are five key elements to every story: plot, setting, characters, point of view, and conflict.
You can use endlessly different story structures and styles, but when you write a novel or story, it is going to boil down to three fundamental elements: character, setting, and plot.
The first line of a story should create a sense of character, conflict, setting, mood, theme, or style — or any combination thereof. Most importantly, it should make the reader ask questions.
Most elements of short stories can be characterized as falling under one of four C-word descriptions. (“Most” because there is always evidence of breaking writing rules effectively.) They are character, conflict, change, and context.
A struggling reader is a child who finds difficulty learning to read. Struggling readers are different from reluctant readers, but many may also be reluctant readers. This is because they find reading difficult and frustrating, which leads to them refusing to learn.
A book hangover is condition in which attachment to a book or series that has ended causes the reader traumatic emotional distress. It usually lasts for one to two weeks, or until a new book of higher-than-average quality enters the reader's life.