According to
Seeing women and girls continually portrayed in this way by the male gaze perpetuates this vision. Particularly salient examples are images of little girls on dance teams or pageants dressed in revealing outfits, faces in full makeup, dancing in a sexualized manner.
The “male gaze” invokes the sexual politics of the gaze and suggests a sexualised way of looking that empowers men and objectifies women. In the male gaze, woman is visually positioned as an “object” of heterosexual male desire.
The male gaze has three perspectives: one that of the man behind the camera, one of the male characters, and one of the male spectators. The male gaze can be attributed to patriarchy because of its inherent inequality.
The male gaze can be seen when a woman in a movie wears an outfit that shows her cleavage or if she is being objectified sexually by the camera.” In the past, photography has been a male-dominated profession. The camera was seen as a phallic symbol and the photographer would often be called “The Male Gaze.”
The male gaze refers to the way women are objectified by the camera lens in Hollywood movies because men are in control of the production process and make decisions that appeal to their own values and interests. The audience, including women, are then positioned to accept this narrow representation.
Which statement best describes the Male Gaze Theory? It is the unwanted attention that women experience from men in social settings.
The female gaze is a feminist theory term referring to the gaze of the female spectator, character or director of an artistic work, but more than the gender it is an issue of representing women as subjects having agency. As such all genders can create films with a female gaze.
What is the female gaze? The female gaze wasn't coined until after feminist film theorist Laura Mulvey first began dissecting the male gaze in her 1975 essay "Visual Pleasure and Narrative Cinema(opens in a new tab)," in which she writes that the male gaze projects a male fantasy onto the female figure on film.
To break it down, female characters through the male gaze exist to be viewed whereas through the female gaze they become more autonomous and can be sexual without being sexualised. A key example of this that many people might relate to is Phoebe Waller-Bridge's Fleabag.
The oppositional gaze serves as "a gesture of resistance" to not only the male gaze but also toward the oppression of minorities through cinema by the all-inclusive gendering of woman. This gaze criticizes the doubling effect of objectification by "turning away [as] one way to protest, to reject negation".
The male gaze includes but is not limited to turning women into objects in film, television, or other visual media. Specifically, the male gaze is an always-incomplete solution to anxiety produced by looking. In other words, objectification is an attempt at a solution to the problem of the (male) gaze.
The female gaze looks to evoke emotions and feelings, focusing on touch, interactions, and atmosphere instead of action and just sexuality. The female gaze looks to balance the man and the woman, making them equals in all areas.
The male gaze is a feminist theory that states that women are portrayed in cinema in objectifying and limited ways in order to normalize and perpetuate patriarchal society. The theory considers the ways that different perspectives are combined in cinema to sustain a symbolic order that privileges men.
Men writing the films, men making the films, men being the protagonists, and men being the target audience all combine into a unified — heterosexual male — perspective of female characters. In other words, we all been conditioned to adopt the male gaze because that is the way we were “raised” by traditional cinema.
According to psychologytoday.com, the appeal to the “male gaze” is why women are often oversexualized in many forms of art—movies, comic books, television, etc. The oversexualtion of women due to the male gaze has proven to be detrimental to how women view themselves. A woman unhappily looks at herself in the mirror.
In 1975, film critic Laura Mulvey coined the term 'the male gaze'. It refers to the presentation of women in visual arts and literature from a male, heterosexual perspective where women are depicted as sexual objects for the pleasure of the male viewer.
Mulvey described the Male Gaze to be the phenomenon of expression and interpolation of patriarchal ideology, through this three-way matrix of cinematic looking.
Men stopped wearing suits because good-quality clothing became cheap. Or, looked at the other way around, because ordinary people became rich enough to wear good-quality clothing. Before that happened, the quality of someone's clothing told you a lot about their social position.
'Dress as Your Type Day' is an opportunity for students to dress as what they'd look for in terms of style and fashion-sense in a partner. Or in other words, their ideal type. Students can also dress in ways that don't relate to relationships.
Black Gaze Theory is an analytical tool that focuses on Black strength and problematizes structures that promote dominant ideologies. The authors believe that it is also important to note that racial affiliation does not simply mean that a person employs Black Gaze.
Dressing for the male gaze simply means dressing for the appreciation of a man. The desire for male attention is not an uncommon desire, especially as you search for a future spouse or continue to impress the man you married.