At the end, she's left with a man who thinks too much of her and a man who thinks too little of her. She chooses the latter, since she can't measure up to the former. Once again, we see her make the weaker choice—a choice many people would've made.
Even though she was still in love with Gatsby, Daisy most likely married Tom because she knew he could provide her with more material comforts.
The final betrayal presented is Daisy's betrayal of Gatsby. Daisy always knew how Gatsby felt about her but, never took an interest in him. Her feelings for him began to change when she saw his immense wealth. Daisy is a very materialistic person and all of Gatsby's fancy things drew Daisy to him.
She is often considered callous, spoilt and heartless for her pursuit of wealth and her abandonment of Jay Gatsby. However, perhaps this is an unfair judgement, and she is simply a victim of her situation and the materialistic world she lives in.
Daisy appeared quite in love when they first got married, but the realities of the marriage, including Tom's multiple affairs, have worn on her. Tom even cheated on her soon after their honeymoon, according to Jordan: "It was touching to see them together—it made you laugh in a hushed, fascinated way.
Daisy does not want to be seen attending Gatsby's funeral because she does care about her reputation, despite the fact that she has never loved Tom. As a result, she makes the decision to abstain out of concern that she will damage both her connection with Tom and her standing in the eyes of the general public.
Gatsby's funeral is ironic because only three people attend, while enormous crowds attended his parties. Despite being a popular figure in the social scene, once Gatsby passes, neither Daisy, his business partner Henry Wolfsheim, nor any of his partygoers seem to remember him or care.
Myrtle believes that the only reason Tom will not divorce Daisy is because Daisy is Catholic. But we learn that Tom's feelings for Myrtle are far less intense than he has led her to believe and that social pressure prevents him from ever leaving Daisy, who comes from a similar upper-class background.
Gatsby is only in love with Daisy because of her identity and what she represents. He is unable to forget the past where Daisy once saw him as a perfect man in her eyes and can't accept his new reality. Gatsby's want of wealth and power only proves that he only loves the idea of her and not actually her.
The relationship between Tom and Daisy is built more on money rather than love, however, there is little bits of love. Daisy marries Tom because of his wealth, but throughout their relationship she does, fall in love with Tom at least once.
This is at the very end of the novel. Of the late Gatsby, Tom says, “That fellow had it coming to him. He threw dust in your eyes just like he did in Daisy's….” And that's why it matters that Nick is gay and in love with Gatsby: because Tom's assessment is spot-on, but Nick will never admit it.
Gatsby realized that he was in love with Daisy and was surprised to see that Daisy fell in love with him too. They were together for a month before Gatsby had to leave for the war in Europe.
Tom has no idea that his mistress has died in the wreck, but the reader does. The dramatic irony continues when Tom assumes that Gatsby killed Myrtle because it was his car that hit her. However, it was in fact Daisy who was driving Gatsby's car and accidentally hit Myrtle, causing the accident to occur.
Gatsby's tragic flaw is his inability to wake up from his dream of the past and accept reality. His obsession with recapturing his past relationship with Daisy compels him to a life of crime and deceit.
Henry C. Gatz, Gatsby's father, comes to the mansion three days after his son's death, aged and wearing plain clothes. He's grief-stricken and asks Nick what his relationship was with Gatsby. Nick says they were close friends.
He thinks it was unfortunate but inevitable. He thinks Gatsby deserved it. He wishes he would have been the one to die.
Nick, disillusioned by Gatsby's death, recognizes the amoral behaviour of the old-money class and becomes aware that the American Dream which Gatsby believed in cannot be saved from the decadence. Detailed answer: Nick Carraway was basically Gatsby's only friend who really cared for him.
"Can't repeat the past?" he cried incredulously. "Why of course you can!" He looked around him wildly, as if the past were lurking here in the shadow of his house, just out of reach of his hand. This is probably Gatsby's single most famous quote.
In this way, the last line is simply saying that through our continuing efforts to move forward through new obstacles, we will be constantly reminded and confronted with our past because we can't help but repeat our own history, both individually and collectively.
Tom hits Myrtle because she refused to obey him, but also in defense of Daisy; he feels strongly about both women. Tom's outburst therefore shows that he has difficulty handling complex emotions. He responds with violence to maintain control.
A while after the funeral, Nick saw Tom. Tom said that he told Wilson, the man who killed Gatsby, that it was Gatsby's car that hit Wilson's wife, Myrtle. Nick did not like living in the East anymore, and he decided to leave the city and move back west.
If the threat of Gatsby in the text lies precisely in the way in which he "vanishes" from categorization and social or racial signification, then Nick's erasure of the obscene word stages a similar process, making the obscene word "vanish" in or- der to cancel out the obscenity of vanishing.
Wilson believes that Gatsby killed Myrtle because Tom gave him intentionally misleading information. Earlier in the story, Tom stopped by Wilson's garage while driving Gatsby's yellow car, leading Wilson to believe that the car was Tom's.
In the passage, as you can see, Fitzgerald makes a flamboyant phallic pun ("Keep your hands off the lever" indeed), and then shows us McKee and Nick virtually in bed together. Many people skim over that scene—as I did more than once. But once it's been pointed out, it's difficult to see it as anything but post-coital.
First, Luhrmann made the curious decision to begin the story with Nick Carraway (our first-person narrator played by Tobey Maguire) writing in a patient's journal after ending up in a mental hospital due to “morbid alcoholism, fits of anger, insomnia.” According to Mike Hogan's (Executive Arts and Entertainment Editor ...