However, Frodo Baggins is notorious for being irritating, often helpless and almost whiney, and undeserving of the plaudits he would receive for destroying
He is indecisive, delaying his departure from the Shire as long as possible even though he knows the task is urgent. He opts to risk the dangers of the Old Forest, nearly getting himself and his friends killed — twice. He behaves foolishly in Bree, drawing unnecessary attention to himself.
He is brave, selfless, thoughtful, wise, observant, and even unfailingly polite. Unlike the common run of provincial, self-satisfied Hobbits, Frodo is curious about the outside world and knowledgeable about the traditions of the Elves.
Hobbits are simple creatures and do not wish for much, so there is nothing for the Ring to use against a hobbit. Frodo is the hobbit that is corrupted the most next to Gollum and Bilbo, which is why he is unable to throw the Ring into the fire.
At the end of Return of the King, when the four hobbit friends are being honored for their journey, there is a heavy tone of sadness in Frodo's aura because although he is glad there is no longer a great evil threat lurking over Middle Earth, he wishes very badly that none of this had happened.
61, on 22 September Sam left Bag End, and went to the Tower Hills where he was last seen by Elanor, entrusting to her the Red Book; according to her, he went to the Grey Havens to sail across the Sea and be reunited with Frodo in the Undying Lands.
Why didn't Frodo turn evil in the end? He did. So once the ring was destroyed, he could never fully recover. Exactly as the council warned, everything done with the ring turned to evil-- and Frodo used the ring on Gollum outside of Mount Doom.
The first is that Bilbo is a hobbit, and as such, is particularly difficult to manipulate or corrupt. Hobbits have a natural resistance to the influence of the ring, because they are fully content in their simple lives and have no desires for power or war.
Though someone could start out with good intentions, the Ring would eventually corrupt them. And that is why Gandalf can't touch it. He is afraid that if he did, it would corrupt him and make him just as bad as Sauron since Sauron put so much of himself and his evil into the One Ring.
In the spiritual world, beings are invisible to those in the physical world. This is why Isildur, Bilbo, and Frodo become invisible when they wear the Ring—because they are no longer in the physical world. As Olsen said, Sauron does not have a real body, so he is not affected in the same way.
Frodo did suffer from PTSD, or, rather, as it was called in WW I, shell shock. So did Tolkien himself, and he took his own experience to heart when creating Frodo.
The Tolkien scholar Verlyn Flieger summarizes Frodo's role in Lord of the Rings: "The greatest hero of all, Frodo Baggins, is also the most tragic.
Frodo Baggins, fictional character, a hobbit (one of a race of mythical beings who are characterized as small in stature, good-natured, and inordinately fond of creature comforts) and the hero of the three-part novel The Lord of the Rings (1954–55) by J.R.R. Tolkien.
Saruman The White
Saruman is a complex wizard who could be considered one of the weakest characters since he gave up serving the side of good, and as Aragorn said, ceased to be "as great as his fame made him."
Sauron (pronounced /ˈsaʊrɒn/) is the title character and the primary antagonist, through the forging of the One Ring, of J. R. R. Tolkien's The Lord of the Rings, where he rules the land of Mordor and has the ambition of ruling the whole of Middle-earth.
While Frodo's plight was awful, many LOTR fans would cite Gollum's life as the franchise's most tragic. Gollum was never a good-natured character, but the One Ring ruined his life. In J.R.R. Tolkien's books, Gollum spent nearly 500 years under its influence until Bilbo took it from him.
As for Sam, his resistance likely has to do with his innate goodness and loyalty. His love for Frodo helped him to overcome the pull of the Ring and his inner pureness was never fully pierced by the Ring.
Why Galadirel Had To Say No To The Ring. Galadriel desired her own kingdom to rule but was not willing to submit to the darkness to obtain it. Her decision meant that she would have to commit to a much more humble lifestyle but she accepted it in order to contribute to the greater good of Middle Earth.
In the film adaptation, however, Gandalf mentions the Blue Wizards but claims he doesn't remember their names. This is actually due to a copyright issue because the names of the Blue Wizards don't appear in the trilogy. In hindsight, another good reason was that maybe adding Radagast into the story was enough.
It's a constant reminder to Aragorn of his family history; his hesitation to take the ring from Frodo Baggins (Elijah Wood) is a direct result of Isildur's corruption. Although Boromir ultimately falls victim to the seductive nature of the ring, Aragorn is able to defy his family history and resist his urges.
Creating the Ring simultaneously strengthened and weakened Sauron. With the Ring, he could control the power of all the other Rings, and thus he was significantly more powerful after its creation than before; but by binding his power within the Ring, Sauron became dependent on it.
The Hobbits represent small, humble, ordinary people. They don't lust for power or fame, or aspire to do great deeds. Thus the Ring can't corrupt them in the way that it would corrupt Boromir or Galadriel, although it can make them covet it as a possession.
When he pities himself he becomes depressed, suffering a kind of psychological death: the loss of hope. He loses a sense of who he once was; no longer able to trust himself, or continue resisting the compulsion to use the Ring. Frodo surrenders his despair initially to fate but most importantly to Sam.
As shown in The Rings of Power, she traveled to the ends of the Middle-earth to seek out Sauron. Her consuming anger was born of loss and suffering.
It was as if the Ring had granted him a vision of what could happen if the great Elf were to wield its power. Jackson, on the other hand, used Galadriel's dark form as a visual cue for the audience. Specifically, it represented how she would become evil if she gave in to her deepest desire.