Despite Gatsby's “romantic readiness” (2), as narrator Nick Carraway puts it, he subtly shows that his love for Daisy is never genuine. Gatsby, in fact, is never capable of loving her at all; he was born with a life and status too drastically different from hers to ever really connect with her in a true, romantic way.
Gatsby's obsession for money, “the instrument which will enable him to fulfil his dream”, is closely related to his dream of regaining “the peace Daisy once gave him”, and with this desire goes the obsession to repeat the past.
Daisy plays a major role in Gatsby's death because she is the ultimate source of tension between Gatsby and Tom. She was the one driving the yellow car that killed Myrtle. Daisy drove recklessly after Gatsby and Tom's fight in the city.
He clearly loves her with all his heart, moreover, he is obsessed with Daisy and unable to imagine his life without her in it. Daisy's real feelings remain confused and unclear. But if we think a bit more about it, we'll see the other side of Gatsby and Daisy relationship. He is obsessed with her, he idolizes her.
Despite Gatsby's “romantic readiness” (2), as narrator Nick Carraway puts it, he subtly shows that his love for Daisy is never genuine. Gatsby, in fact, is never capable of loving her at all; he was born with a life and status too drastically different from hers to ever really connect with her in a true, romantic way.
And Gatsby describes his love for Daisy himself in this quote: “And what's more, I love Daisy too. Once in a while I go off on a spree and make a fool of myself, but I always come back, and in my heart I love her all the time.”
To Gatsby, Daisy represents the paragon of perfection—she has the aura of charm, wealth, sophistication, grace, and aristocracy that he longed for as a child in North Dakota and that first attracted him to her.
Gatsby's obsession with Daisy resulted in him buying a mansion across the lake from her, throwing huge parties, and spending years of his life trying to become rich. Gatsby bought mansion intentionally across the lake from Daisy just to be closer to her.
The objectification of Daisy is complete when Gatsby tells Nick, “Her voice is full of money,” (127) towards the end of the novel. Daisy's voice is one of the most mystical parts about her, it represents her- enchanting and beautiful.
Gatsby is in love with Daisy, but he loves her more for her status and what she represents to him (old money, wealth, the American Dream).
The first thing that attracted Gatsby was Daisy's wealth – her house in particular ('there was a ripe mystery about it'). This removes the idea that he was attracted to Daisy in herself. He was – and still is – attracted to the 'money' in her.
Daisy accepts her objectification and abandonment it causes, and doesn't wish a better life for her child. Gatsby feeds into this objectification, seeing Daisy as a thing to be acquired so his life will be complete.
Gatsby fell in love with Daisy and the wealth she represents, and she with him (though apparently not to the same excessive extent), but he had to leave for the war and by the time he returned to the US in 1919, Daisy has married Tom Buchanan.
Daisy Buchannan is made to represent the lack of virtue and morality that was present during the 1920s. She is the absolute center of Gatsby's world right up to his death, but she is shown to be uncaring and fickle throughout the novel.
Her feelings for him began to change when she saw his immense wealth. Daisy is a very materialistic person and all of Gatsby's fancy things drew Daisy to him. Gatsby was shocked to hear this and he felt very betrayed. He was under the impression that Daisy loved him all along and never Tom.
Daisy chose to marry Tom over Gatsby because Tom was wealthier and more powerful than Gatsby. Gatsby grew up poor and never had money as Tom did. Daisy promised he would wait for Gatsby while he went to war, but she knew her mother would never let her marry a poor man.
Gatsby's tragic flaw is his inability to wake up from his dream of the past and accept reality. His obsession with recapturing his past relationship with Daisy compels him to a life of crime and deceit.
As Cantor tells it, Miss Daisy Fay of Louisville is pretty but not beautiful, fun-loving but provincial, a striving romantic already marked by private sorrows, and not a virgin (she and Jay Gatsby are lovers before the Great War).
Gatsby reveals details of his and Daisy's long ago courtship. He was enthralled by her wealth, her big house, and the idea of men loving her. To be with Daisy, he pretended to be of the same social standing as her. One night, they slept together, and he felt like they were married.
Gatsby obsessively gazes at the green light in hopes and dreams of being with Daisy again. His undoubted obsessive love with her makes him carry out all his unusual and mysterious actions. His arms stretching out towards the green light symbolizes his dream of reuniting with Daisy even though she is with Tom.
This is at the very end of the novel. Of the late Gatsby, Tom says, “That fellow had it coming to him. He threw dust in your eyes just like he did in Daisy's….” And that's why it matters that Nick is gay and in love with Gatsby: because Tom's assessment is spot-on, but Nick will never admit it.
Soon after the wedding, Daisy became pregnant, and Tom started to have affairs with other women. Jordan tells Nick that Gatsby has asked to be invited to his house at a time when Daisy is also present.
Gatsby was surprised by the fact that Daisy has a child as he saw her as a daydream rather than a woman. The main character was deeply in love with a dream girl who barely had flesh. So, she could not possibly be associated with such earthly aspects as childbearing.
They are about to kiss and Gatsby realizes that “when he kissed this girl, and forever wed his unutterable visions to her perishable breath, his mind would never romp again like the mind of God.” ■ In this quote, Gatsby is realizing that once he kisses and subsequently falls in love with Daisy, she is going to be ...
Daisy, in fact, is more victim than victimizer: she is victim first of Tom Buchanan's "cruel" power, but then of Gatsby's increasingly depersonalized vision of her. She be- comes the unwitting "grail" (p. 149) in Gatsby's adolescent quest to re- main ever-faithful to his seventeen-year-old conception of self (p.