She left her children with Torvald, a man she called a stranger. Although one can see Nora's pain in living with a man who didn't love her, her leaving was still premature.
Nora has avoided her children, fearing to pollute them. In a conversation with her old nurse, she tells the servant that the children will have to get used to seeing less of their mother from now on. This is Nora's first suggestion of withdrawing from the life she has lived up until now.
Nora and Torvald have three children, whose names are Ivar, Bobby, and Emmy. Still fairly young, they delight in playing with their mother. Although they are referred to by the others very frequently, they are only once seen on stage.
Nora rejects his offer, saying that Torvald is not equipped to teach her, nor she the children. Instead, she says, she must teach herself, and therefore she insists upon leaving Torvald. He forbids her to leave, but she tells him that she has decided to cut off all dependence upon him, so he cannot dictate her actions.
In A Doll's House, Nora and Torvald have three children, two sons and a daughter. The older son is named Ivar, and the younger son, the couple's middle child, is named Bobby. The youngest child is their daughter Emmy, who is described as a baby.
Nora has to leave her children so that they can also become real human beings just like her. The responsible thing to do would be to raise them herself, but at that point, Nora's mind was in no shape to raise more than one person, herself. The nanny can help raise them, but she also helped raise Nora.
At one point, the story says, "She creeps forward as if to scare them.” Nora is goofy around the kids. The typical mother figure, at the time, played with the children while the Nurse would take care of feeding, cleaning, and taking care of the children. Nora never cooked for them or cleaned them up.
A Doll's House ends with the slamming of a door. Nora turns her back on her husband and kids and takes off into the snow (brr) to make her own way in the world (brrrrr). It's a pretty bold decision, to say the least.
What secret has Nora been keeping from Torvald? She was in love with his brother before she married him. She borrowed the money they used to take a trip to Italy. She had an affair with Krogstad five years earlier.
The money was necessary to finance a trip that saved her husband's life, but Nora forged her father's signature to secure the loan and lied to Torvald that her father had given them the money. Thus, she has been deceiving her husband for years as she worked to repay the loan.
Nora is a victim of the male-dominated society of the nineteenth century. To save her husband, Torvald, she borrows money so that he might be able to recover from a life-threatening illness in a warmer climate.
Nora and Torvald's three small children.
She states that she felt like a 'puppet' under Torvald's control and she needs some time to live alone to understand herself. The play ends as Nora leaves Torvald, with the door slamming on her exit from the house. The play is considered one of the best works depicting female predicament of the Western bourgeois class.
Why does Nora stop spending time with her children? She grows weary of their demands.
Nora Helmer once secretly borrowed a large sum of money so that her husband could recuperate from a serious illness. She never told him of this loan and has been secretly paying it back in small installments by saving from her household allowance.
Nora even goes as far as calling her baby her sweet little baby doll. Her throwing the childrens things around shows her carelessness to realize that she is the mother of her children, not their owner like one who owns toys. She acts like a kid playing with her toys, not as much as an adult taking care of her children.
Linde brought them and then explains to Mrs. Linde that Torvald has “outlawed” macaroons because he thinks they are bad for Nora's teeth.
Torvald then retires to his study to work. Dr. Rank, the family friend, arrives. Nora asks him for a favor, but Rank responds by revealing that he has entered the terminal stage of his disease and that he has always been secretly in love with her.
Years ago, Nora Helmer committed a forgery in order to save the life of her authoritarian husband Torvald.
Soon after hearing Torvald's thoughts, Nora encourages him to read Krogstad's letter, believing that he actually would sacrifice himself for her. There is something indescribably wonderful and satisfying for a husband in knowing that he has forgiven his wife – forgiven her unreservedly, from the bottom of his heart.
Nora talks joyfully about her love for Torvald, and Torvald refers to Nora using affectionate pet names. Their loving marriage stands in stark contrast with the lives of the other characters: the marriages of Krogstad and Mrs. Linde were based on necessity rather than love, and were unhappy.
At first, Nora's interaction with Dr. Rank is similarly manipulative. When she flirts with him by showing her stockings, it seems that she hopes to entice Dr. Rank and then persuade him to speak to Torvald about keeping Krogstad on at the bank.
In that moment, she realizes that her marriage has been nothing but a sham and walks out the door, never to return. After such a triumphant exit, what could possibly bring Nora back to the home she once shared with Torvald and their three young children?
The nanny, Anne-Marie, enters with Nora's three children, and Nora and the children play happily. Krogstad enters and startles Nora, who screams. He apologizes and says that the door was open, and Nora replies that Torvald is not at home. Krogstad says that he has come to talk with her, not with Torvald.
Nora's decision to leave is seen as a very controversial and scandalous act during this time period. I feel that Nora's action are justifiable. Nora went through her life in the shadow of the two men in her life and she finally realized the wrongs they had done to her.