Many people use F major or C major to write happy music. But that could also vary as D major and G major are also popular amongst different composers.
For some people, the happiest musical key is major. This is because major keys tend to sound more upbeat and positive. They are often used in happy songs and can make you feel more optimistic.
Noisy shouts of joy, laughing pleasure and not yet complete, full delight lies in E Major.
F#m: full of resentment, discontentment, and lamentation, but with a little hope. G: happy but serious, idyllic, and poetic, evoking calm, satisfaction, tenderness, gratitude, and peace.
Although people do perceive major chords as more emotionally positive than minor chords, the happiest sounds of all are seventh chords – major or minor chords with a seventh added.
The key of D minor. It's the key, some people say, which often triggers immediate weeping. When we turn to the scholars over the centuries and ending in this one, among many musicologists, composers, songwriters, there is an ever-expanding consensus that D minor leads all others in its evocation of melancholy.
Pauer's key characteristics for D minor are that it: “expresses a subdued feeling of melancholy, grief, anxiety, and solemnity.”
Pauer's key characteristics for F major is that it is “at once full of peace and joy, but also expresses effectively a light, passing regret—a mournful, but not a deeply sorrowful feeling. It is, moreover, available for the expression of religious sentiment.”
According to Pauer, C minor is the key that is expressive of softness, longing, sadness, solemnity, dignified earnestness, and a passionate intensity. It lends itself most effectively to the portraiture of the supernatural. Soft longing.
The Loneliest is written in the key of D Major.
Happier is written in the key of C.
Open Key notation: 1d.
There is an order of the keys in terms of difficulty, and it is counterintuitive. The most difficult key is C major! In general, the keys that are easiest to learn are simultaneously the least natural for the hand. As a rule of thumb, the more black keys in a given key signature, the more comfortable it will be.
happier is written in the key of F♯ Major.
In short: the key of D minor have historically been regarded as the saddest, darkest and most melancholic key in music. However, with our modern 12 tone equal temperament tuning system, the difference in “sadness” is more about the tone and tuning of the instruments themselves, not the key.
Major scales are normally associated with happiness, while minor scales typically evoke feelings of sadness and melancholy. The somber mood of minor scales has a powerful effect on listeners.
For the key of C major, he gave its characteristics as “A pure, certain and decisive manner, full of innocence, earnestness, deepest religious feeling.” For the works associated with these feelings, he chose works by Mozart, Weber, Beethoven, Mendelssohn, and Haydn.
The key of E-flat major is often associated with bold, heroic music, in part because of Beethoven's usage.
Pauer's key characteristics for E minor are that it: “…represents grief, mournfulness, and restlessness of spirit.”
Aeolian Mode
The Aeolian Scale consists of the same notes as the Natural Minor Scale. Songs in Aeolian Mode tend to have a sad feeling and the scale is quite common in modern blues and jazz compositions. See also Aeolian Dominant.
The D minor chord is a relatively easy chord to play, but it may still take some time for beginners to get used to since it involves stretching your fingers across three frets. If you're just starting to play guitar, this is key chord to learn because it's frequently found in songs of all genres.
What might make D minor so glum is that the chord's tonic, or its tonal center, is the downbeat D minor itself. Minor chords in general are so poignant that they've been central in studies on children's emotional perception of tones. Music theorists debate the mechanism behind that despondent sound.
Looking at the key of E flat minor we find the blackest of keys, described by Steblin as having “feelings of anxiety and the soul's deepest distress.” Interestingly, and by contrast, Steblin makes a case for A flat major being the key of Death that would have been recognized by composers of the time for that ...