Eventually, Gatsby won Daisy's heart, and they made love before Gatsby left to fight in the war. Daisy promised to wait for Gatsby, but in 1919 she chose instead to marry Tom Buchanan, a young man from a solid, aristocratic family who could promise her a wealthy lifestyle and who had the support of her parents.
Although Daisy may have loved Gatsby once, she does not love him more than the wealth, status, and freedom that she has with Tom.
During her youth, Daisy fell in love with Gatsby, but ended the relationship with him after World War 1 because of Gatsby's financial situation which he was poor. So instead she ended up marrying Tom, who was very wealthy and would be able to provide Daisy a luxurious lifestyle.
Why do Tom and Daisy leave? They run away to escape responsibility, just as they left Chicago to escape some unspecified scandal. They are "careless" people who take no notice of the harm they have caused.
Like Tom, Daisy is deeply attached to her upper class lifestyle. After the accident, even though Gatsby takes responsibility for Myrtle's death, Daisy once again chooses Tom over Gatsby. All that Gatsby wants is Daisy, but Daisy repeatedly prevents him from attaining this goal of possessing her completely.
Daisy "Fay" Buchanan is the villainous tritagonist in The Great Gatsby. She symbolizes the amoral values of the aristocratic East Egg and was partially inspired by Fitzgerald's wife Zelda Fitzgerald. She was portrayed by Mia Farrow - who also played Mrs.
Daisy appeared quite in love when they first got married, but the realities of the marriage, including Tom's multiple affairs, have worn on her. Tom even cheated on her soon after their honeymoon, according to Jordan: "It was touching to see them together—it made you laugh in a hushed, fascinated way.
The only people who came to pay their respects were Nick, Gatsby's father, Owl Eyes, and a few servants. Even Daisy, Gatsby's beloved, did not attend the funeral, which shows the superficial nature of their relationship.
In this way, the last line is simply saying that through our continuing efforts to move forward through new obstacles, we will be constantly reminded and confronted with our past because we can't help but repeat our own history, both individually and collectively.
The narrative switches back to Nick. Tom realises that it was Gatsby's car that struck and killed Myrtle. Back at Daisy and Tom's home, Gatsby tells Nick that Daisy was driving the car that killed Myrtle but he will take the blame.
Myrtle believes that the only reason Tom will not divorce Daisy is because Daisy is Catholic. But we learn that Tom's feelings for Myrtle are far less intense than he has led her to believe and that social pressure prevents him from ever leaving Daisy, who comes from a similar upper-class background.
Daisy isn't capable of true love for either of them. She has affection for both Gatsby and her husband, but ultimately she chooses to care for herself. Obviously, Daisy didn't love Gatsby according to the idealized definition of love found in 1 Corinthians: Love is patient, love is kind.
The importance of time and the past manifests itself in the confrontation between Gatsby and Tom. Gatsby's obsession with recovering a blissful past compels him to order Daisy to tell Tom that she has never loved him. Gatsby needs to know that she has always loved him, that she has always been emotionally loyal to him.
To Gatsby, Daisy represents the paragon of perfection—she has the aura of charm, wealth, sophistication, grace, and aristocracy that he longed for as a child in North Dakota and that first attracted him to her. In reality, however, Daisy falls far short of Gatsby's ideals.
“You're worth the whole damn bunch put together.” I've always been glad I said that. It was the only compliment I ever gave him, because I disapproved of him from beginning to end.” Nick addresses these words to Gatsby the last time he sees his neighbor alive, in Chapter 8.
To Gatsby, the innocent and naive Daisy comes to embody the American dream, in other words wealth and social status, a goal he will have reached by winning her hand.
What is ironic about Gatsby's death? Gatsby's death is a moment of irony because he is still waiting for Daisy to call him so they can be together, but he does not realize that Daisy and her husband have already reconciled with one another.
“So we beat on, boats against the current, borne back ceaselessly into the past.” This last line summarizes everything about Gatsby – he is forever frozen in the past by his obsession for Daisy, and no matter what he does or how hard he tries, he will always be stuck in that past.
In both book and movie, Gatsby is waiting for a phone call from Daisy, but in the film, Nick calls, and Gatsby gets out of the pool when he hears the phone ring. He's then shot, and he dies believing that Daisy was going to ditch Tom and go way with him.
He thinks it was unfortunate but inevitable. He thinks Gatsby deserved it. He wishes he would have been the one to die.
Nick, disillusioned by Gatsby's death, recognizes the amoral behaviour of the old-money class and becomes aware that the American Dream which Gatsby believed in cannot be saved from the decadence. Detailed answer: Nick Carraway was basically Gatsby's only friend who really cared for him.
He did not want Gatsby to die and be buried alone. Daisy, who claimed to love Gatsby, disappeared, and the few friends Gatsby had, such as Wolfsheim and Klipspringer, refused to come to the funeral. In the end, only Gatsby's father, Nick, Owl-Eyes, a few servants, and a postman came to the funeral.
Soon after the wedding, Daisy became pregnant, and Tom started to have affairs with other women. Jordan tells Nick that Gatsby has asked to be invited to his house at a time when Daisy is also present. Nick kisses Jordan.
Their love affair makes Gatsby optimistic that Daisy is his true love, but he really only sees and loves an idealized version of her that he has carried for years. In the end, Daisy chooses to stay with her husband even when knowing he had also had an affair.
Jay Gatsby reacts with surprise and discomfort when he meets Daisy and Tom's daughter, since she represents a link between the married couple and therefore an obstacle to his fantasy of a perfect relationship with Daisy.