As a virgin, Ophelia is a poor wretch manipulated by her father to serve his political ends; otherwise, she is a schemer manipulating the good prince in hopes of gaining a crown herself.
Analyzes how ophelia's confession that she has lost her virginity comes in her state of madness. she is talking about the promises hamlet made to her before she had sex with him. Analyzes how ophelia's father, polonius, claudius, and gertrude question her character. hamlet knows the truth and speaks of it bluntly.
By this point, Ophelia would be well aware of her pregnancy, and well aware that she would soon begin to show outward signs of it.
Perhaps the most descriptive sexualization of Ophelia is when Gertrude describes her dead body as “mermaid-like” (4.7. 201) with “her clothes spread wide” (4.7. 200). Describing her clothes as “spread-wide” is especially suggestive, as to reference the act of removing clothing before sex.
Who Is Ophelia? Ophelia is the daughter of Polonius, one of King Claudius' closest friends. She is described as a beautiful young woman, and she is also the love interest of the main character in the story Hamlet. Her love for Hamlet and her loyalty to her father creates friction and leads to tragedy in Ophelia's life.
Hamlet is cruel to Ophelia because he has transferred his anger at Gertrude's marriage to Claudius onto Ophelia. In fact, Hamlet's words suggest that he transfers his rage and disgust for his mother onto all women.
At the end of his soliloquy, Ophelia makes her entrance, and Hamlet acknowledges her presence: “Nymph, in thy orisons / Be all my sins remembered,” referring directly to Greek mythology with the word “nymph” and imposing upon Ophelia the role of animated innocence—youthful, nubile, and perhaps even divine (3.1. 88-89).
For the Elizabethans, Hamlet was the prototype of melancholy male madness, associated with intellectual and imaginative genius; but Ophelia's affliction was erotomania, or love-madness.
Ophelia is a character in Hamlet who is shown to be diagnosed with the mental illness “Schizophrenia”. Her diagnosis within the first acts of the play is weak, however, her mental illness reaches its peak in act 4, as a cluster of schizophrenia's symptoms are shown.
For example, “I shall obey, my lord” (I. iii. 134) shows that Ophelia concedes to her father's will, even though she believes Hamlet's love is genuine. She is willing and expected to obey her father despite the fact that she still loves Hamlet, which emphasizes her character's submissive nature.
He has recently died but visits Hamlet as a ghost during the play. Polonius is a counsellor to the new king and queen. He is Ophelia and Laertes' father. Laertes is the only son of Polonius and brother of Ophelia.
Bidding his sister, Ophelia, farewell, he cautions her against falling in love with Hamlet, who is, according to Laertes, too far above her by birth to be able to love her honorably. Since Hamlet is responsible not only for his own feelings but for his position in the state, it may be impossible for him to marry her.
Ophelia's final words are addressed to either Hamlet, or her father, or even herself and her lost innocence: “And will a not come again? / No, no, he is dead, / Go to thy death-bed, / He never will come again. / … / God a mercy on his soul. And of all Christian souls. God buy you.” Next, she drowns herself.
The heroine is remarkably different in presentation from mainstream YA Fantasy's protagonists. Ophelia is asexual, aromantic, slight of frame, clumsy, easily susceptible to colds (and develops tonsillitis).
Hamlet is distraught and suspicious. He professes his undying love to Ophelia, and they are secretly married. Soon afterward, he tells Ophelia that he plans to murder Claudius.
Ophelia's drowning is the consummate representation of an eternal retreat into the feminine, trading an individual voice for eternal silence in union with feminine essence. In turn, her death expresses the danger of reducing an individual to his or her gender and disregarding the voice of the marginalized.
The interpretation which best fits the evidence best is that Hamlet was suffering from an acute depressive illness, with some obsessional features. He could not make a firm resolve to act. In Shakespeare's time there was no concept of acute depressive illness, although melancholy was well known.
He concluded that Hamlet suffered from rapid cycling bipolar disorder, and he retrieved from the text exact quotes that met DSM criteria and substantiated his view that Hamlet was insane. The jury, which included Justice Ruth Bader Ginsburg, found Hamlet sane.
Ophelia begins the play as an average girl growing up in a place that would predispose her to Post-Traumatic Stress Disorder (PTSD). Her father's murder did not drive her insane, but shook an easily shaken system.
Ophelia in the fourth act of Hamlet is demonstrably insane, but the direct cause of her slipped sanity is something that remains debatable.
However, the sexual references in Ophelia's songs account for her obsession with the now mad Hamlet, as in “promising his love” to her earlier in the play and then being scorned, she is doubly heartbroken by his absence alongside the death of her father.
Ophelia uses flowers as symbols of her deep sorrow and grief. She is very upset because her father, Polonius, has just been killed by Hamlet. Being a sensitive and intelligent young woman, Ophelia needs to express herself, and she does so by passing out flowers to the court in her seeming mad state of mind.
At the beginning of the play, as Hamlet has decided to pretend madness, he pretends he does not love Ophelia anymore, he even rejects her and insults her (Act 3, scene 1). This, of course, means that he has been in love with her before, has let her think that she was loved.
Ophelia was very obedient to her father, and well-loved by many characters. She was very sweet to everyone and had an innocent personality. However, she was very compliant and did everything her father asked of her. When he told her to stop seeing Hamlet, she did so.
Hamlet emotionally abuses Ophelia with no regard for her psychological well-being. Hamler abuses Ophelia's emotions on more than one occasion, he abuses her emotions again when he says, “Get the (to) a nunnery. Why wouldst thou be / a breeder of sinners?” Hamlet (III. i.