The character is depicted as having a scar on the right side of his jaw, which is the result of being slashed by a knife when he was a young man. The scar is a physical representation of the character's past and the violence he has experienced.
First off, the bulging jowls he sports was Brando's idea. When the Omaha-born actor auditioned for the role, he stuffed his cheeks with cotton wool to make Vito 'look like a bulldog'. Francis Ford Coppola liked Vito's puffy face and so, had Brando wear a mouthpiece during filming.
While awaiting Corleone reinforcements, Michael prevents a second assassination attempt on Vito by Sollozzo, then affirms his loyalty to his father. Captain Mark McCluskey (Sterling Hayden), a corrupt NYPD captain on Sollozzo's payroll, breaks Michael's jaw before more Corleone button men arrive.
Marlon Brando wanted Vito Corleone to look like a bulldog so he stuffed his cheeks with cotton during rehearsal, however in the actual movie he wore special dentures.
Marlon Brando wanted to make Don Corleone "look like a bulldog," so he stuffed his cheeks with cotton wool for the audition. For the actual filming, he wore a mouthpiece made by a dentist. This appliance is on display in the American Museum of the Moving Image in Queens, New York.
Did You Know: Marlon Brando wanted to make Don Corleone 'look like a bulldog,' so he stuffed his cheeks with wool and cotton for the audition. Jeff Belushi Kennedy and 62,096 others like this.
Shortly afterwards, on July 29, 1955, Vito dies of a heart attack in his garden while playing with his grandson, Michael's son Anthony.
Emilio "The Wolf" Barzini is a fictional character and the main antagonist in Mario Puzo's 1969 novel The Godfather and in its 1972 film adaptation, in which he is portrayed by Richard Conte. The Barzini crime family was inspired by the Genovese crime family.
Incorrectly regarded as goofs. The punch to Michael's face broke his cheek bone which gave him a permanent black eye (and caused his sinuses to continually run - hence the use of a handkerchief all the time) until he got back to America and had surgery to fix it (Freddie says, "that doctor did a good job.")
Though The Godfather was initially targeted by the mob – including threats and intimidation tactics – the film and its themes of honour and old-time loyalty were embraced by the mob. “No group was more fascinated, appreciative, or proud of The Godfather theme than the Mafia,” wrote organised crime reporter Selwyn Raab.
36) After they shot the scene of Michael getting hit in the jaw by Captain McCluskey, Pacino had his mouth actually wired shut to make his character's injuries seem more real.
I didn't notice this absence in the film, but Sonny had sent Fredo to Las Vegas to learn the casino business and perhaps it was decided that he should remain there. Before his death Vito had expressed his displeasure to Tom Hagen about his son's behaviour in the hotel, therefore he would not have been welcome.
Paulie has seemingly betrayed Vito—and thus the family—by selling him out. In The Godfather, this kind of betrayal is the worst of all sins.
Luca Brasi is Don Vito Corleone's personal enforcer, and the only man Vito himself fears. While slow-witted and brutish, Brasi is fiercely loyal and has a reputation as a savage and remorseless killer.
Autism? No. However, Don Vito had more of a Mustache Pete's point of view, seeing as to how he came from Sicily. He had formed his own way of thinking about the killing of family members since in the movie, his immediate family was all wiped out.
He knew that an (unleashed) Luca Brasi could do serious damage to who- or whatever found in his path. He also realized that if he were ever to be in Brasi's sight … Brasi could get to him, and Brasi could kill him.
Fredo is weaker and less intelligent than his brothers, and so has little power or status within the Corleone crime family. In the novel, Fredo's primary weakness is his womanizing, a habit he develops after moving to Las Vegas and which earns his father's disfavor.
The Godfather was shot in multiple locations, including parts of New York City (as well as some of the burroughs), Los Angeles, and two different cities in Sicily. Francis Ford Coppola, the director, wanted the bulk of the filming to be in New York City.
2. Michael and Vito might have placed some of the blame for Sonny's assassination on Tom. Though it turns out that Carlo Rizzi plotted with Barzini to set Sonny up, Michael and Vito probably believed that Tom didn't do enough to stop Sonny from leaving the safety of the family compound that day to find Carlo.
Its fame started when its name was linked to the name of the mafia Family in the American movie saga “The Godfather.” In fact, the Corleone family does not exist. It is a cinematographic fiction.
Jack Nicholson - Micheal Corleone, The Godfather (1972)
Paramount was set on a star like Robert Redford, Dustin Hoffman, or Jack Nicholson, with Nicholson even getting an offer for the part. However, Nicholson turned down the role.
Tragically, she's later killed in a car bomb planted by Michael's bodyguard Fabrizio (Angelo Infanti), who betrayed him to his enemies. While Michael gets revenge on those who ordered the hit, Fabrizio is never seen again.
Even people who aren't familiar with the film can recognise Marlon Brando's weary, wheezy Mafia boss, Vito Corleone, and his favourite son Michael, played by Al Pacino.
Ultimately, Tessio betrays Michael by helping arrange his assassination at a peace summit with Barzini and Philip Tattaglia. The summit will be held in Tessio's fiefdom in Brooklyn, where Michael will presumably be safe. In return, Tessio was to inherit the Corleone family upon Michael's death.
By The Godfather Part II, Kay has decided that Michael is a cold, distant, inattentive husband and father, but only after an attempt is made on his life in the family home does she resolve to rebel against him. At first, Kay's rebellion is silent and private: she aborts the child she is carrying.